5.533 file audio bebas royalti untuk "Compositions In A Flat Major"

Étude Op. 25, No. 12 — allegro con fuoco.

Minuet WoO 10, No. 2, commonly known as Minuet in G Major

Chromatic mediant, A♭ (♭VI), in Brahms Op.90, II, mm.128-134.

Wann?, puzzle canon by Johannes Brahms.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 38 Fugue No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 38 Fugue No. 19 in A major, BWV 864

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

C major scale, ascending and descending

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Ascending and descending scale played in E flat major

Song Guilty, performed by Al Bowlly.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 42 Fugue No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 42 Fugue No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Aeolian mode on A. No pitch bend.

Ausschnitte aus Schuberts Klaviersonate DV 784

German sixth equals dominant seventh

The musical piece is a two-part invention in F-minor for keyboard (harpsichord) in a Baroque style, written by amateur musician Philip Kanellopoulos as a student's exercise in 1988 in Claremont, California, and recorded using the Finale NotePad software (version 2012).

Subtonic as secondary dominant to the mediant in minor from Brahms Op.76.7, Eight Pieces, for piano (1878).

1st movement from J. S. Bach's Italian Concerto played on piano

Scale of the Locrian mode starting on C [ogg vorbis sound file]

3rd movement from J. S. Bach's Italian Concerto played on piano

Scale of the Aolian mode starting on C

Scale of the Phrygian mode starting on C [ogg vorbis sound file]

2nd movement from J. S. Bach's Italian Concerto played on piano

B-flat melodic minor scale ascending and descending.

B-flat harmonic minor scale ascending and descending.

Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

Janacek Sinfonietta 2nd movement, opening bars

A section in Six Moments Musicaux, No. 1. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 1.png.

Ausschnitt aus dem zweiten Satz von Griegs Klaviersonate

Ascending melodic minor scale on A.

Away in a Manger performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 2 from the ensembles' 2020 album The Spirit of the Season.

Sonata b minor, Domenico Scarlatti, Kirkpatrick 87, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate h-Moll, Domenico Scarlatti, Kirkpatrick 87, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

Violin concert in D, Op. 61 — 2nd movement: larghetto. Violinkonzert in D, Op. 61 — 2. Satz: larghetto.

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Tone row from Stockhausen's Klavierstück IX.